Mad. Sq. Art presents Tadashi Kawamata: Tree Huts

Welcome to the online home of Tree Huts, an artist-in-residency program (from September 23 through October 1, 2008) culminating in a site-specific installation of wooden huts in the trees of historic Madison Square Park in New York City.

We encourage you to share your Tree Huts experience with us so we can share them with the world through this blog.  Photos, reflections, questions and comments are all welcome at info@madisonsquarepark.org.  Just be sure to put “Tree Huts” in the subject line.

Tree Huts:

For nearly three decades, the career of Japanese-born artist Tadashi Kawamata has been, in a word, transformative.  His public installations, also known as “displacements,” transform the spaces they occupy, as whole environments are turned inside-out.  Under Kawamata’s direction, complex and chaotic architectural growths of raw lumber, found objects and construction scraps bloom around existing aspects of the urban landscape.  Playing upon the dialectic of construction and destruction that characterizes the life cycle of public space, Kawamata’s artistic practice is finely attuned to a site’s history, use, and physical characteristics.  His building style is organic and improvisational, with little predetermined.  Beginning with his acclaimed installation at the 1982 Venice Biennale, Kawamata has developed a site-specific, thoroughly engaged and unique synthesis of fine art, architecture, and sociological experiment.  The result has been transformative—not only of countless public environments, but of the very concept of contemporary public art.

Tree huts in particular are an emerging focus of Kawamata’s work; a crystallization of Kawamata’s interest in the architecture of shelter and of the insertion of private objects into public spaces as a method of renegotiating the meaning of both.  Tadashi Kawamata: Tree Huts will mark the artist’s first exploration of this theme on a North American site following tree hut exhibitions at Art Basel 2007, in Trondheim, Norway, as part of the Generator 2007 program and at Galerie Kamel Mennour in Paris, 2008.  In keeping with Kawamata’s emphasis on a unique creative process, the artist-in-residency program will invite visitors to witness, explore and interpret the evolution of the first Mad. Sq. Art project to be entirely fabricated in situ, and Kawamata’s first public installation in New York City since his landmark Roosevelt Island Smallpox Hospital project in 1992.

About Tadashi Kawamata:

Tadashi Kawamata was born in 1953 on the Japanese island of Hokkaido.  Since the early 1980s, his ambitious, site-specific sculptural installations have won him worldwide acclaim as one of the preeminent artists of the past two decades. Combining the disciplines of sculpture, installation art and architecture with socio-historic and geographical research, Kawamata has made an international reputation by fashioning humble materials and found objects such as untreated lumber, chairs, barrels and construction scraps into poetic and transformative interventions into public space.  His “Project on Roosevelt Island” (1992), in which Kawamata surrounded the island’s derelict Smallpox Hospital building with a massive and complex web of simple wood scaffolding, remains one of the most well known and highly regarded solo public art works in New York City’s history.

Kawamata’s work has been the subject of numerous exhibitions, both in Japan and abroad, most notably at the Venice Biennale (1982), Documenta VIII (1987), the Saõ Paulo International Biennale (1987), Documenta XI (1992), the Contemporary Art Biennale in Lyon (1993), Exhibition for the 50th anniversary of the United Nations, Geneva (1995), Munster Skulptor Projekt (1997), the Chapelle Saint-Louis de la Salpetrière (1997), the eleventh Sydney Biennale (1998), the Echigo-Tsumari Art Triennial (2000), the fourth Shanghai Biennale (2002), the Busan Biennale (2002), and the Valencia Biennial (2003).

Mad. Sq. Art
Mad. Sq. Art is the free gallery without walls presented by the Madison Square Park Conservancy in the historic 6.2-acre park located in Midtown Manhattan at 5th Avenue and 23rd Street.

In 2008, Mad. Sq. Art has presented Olia Lialina & Dragan Espenschied and Richard Deacon (currently on view until August 25).  Rafael Lozano-Hemmer’s Pulse Park exhibition will open October 2. Major support for Mad. Sq. Art is provided by Founding Partners Agnes Gund and Anonymous. Additional support is provided by Jill & Peter Kraus, the Leucadia Foundation, and the Henry Luce Foundation.  Support for this project is provided by the Asian Cultural Council, the Japan Foundation and the Toby D. Lewis Trust.  This project is supported in part with public funds from the New York City Department of Cultural Affairs.

Madison Square Park Conservancy
The Madison Square Park Conservancy, a public/private partnership with New York City Parks & Recreation, is a nonprofit organization dedicated to keeping historic Madison Square Park bright, beautiful and active.

For further information, please contact Sam Rauch, Madison Square Park Conservancy, (212) 538-7042 or srauch@madisonsquarepark.org.

6 Responses to “About Tadashi Kawamata: Tree Huts”

  1. George said

    Great stuff!!

  2. George said

    What a jerk you are. You are showing only the positive comments. How come you did not show the message from Arvind? That further tells me that you are fake. Shame on you!!!

  3. George said

    This is what Arvind said:

    These huts are mildly interesting at best and I would definitely not call them art. I have not seen any excitement on anyone’s face while seeing these huts and I pass through the park 4 times a day. I routinely see parents / caretakers pointing out the huts to kids but kids only seem mildly interested in them for a second or so and kids are the best judge.

    If you are going to use public funds for art, public must be involved in the process. Why is there not a web site where people can vote which art they like and how they would like to spend the money? There are plenty of great artists / new artists and we should not waste money on this garbage.

    If you are unable to find a suitable artist, the money should be spent on something useful – like covering the children’s playground in Mad Sq. Park so kids can play there during winter.

  4. Mariola said

    Kids don’t play outside anymore. Childhood has been taken over by computers, television sets, and cheap plastic Disney figurines. This piece bring about a feeling of nostalgia for me.

    I wish more people would realize the importance of its message.

  5. Bryan said

    Very nice… such an inspiring idea for a transformative art. Seeing some comments, though, I guess some people just don’t “get it”, but personally I applaud the effort.

  6. George said

    Bryan,
    Everyone knows that people will have different “opinion” about this or any other art. By saying that people who do not like this art don’t “get it”, I hope you are not implying that your opinion is somehow more insightful that my opinion.

    My objection is about using taxpayers’ money for what I consider sub-standard art and about this web site showing only positive comments. NOTE: I had to post a positive comment before I got approved and now the software automatically allows all my comments.

    I am willing to bet $1000 that less than 30% NYC taxpayers think that this is money well spent. We can conduct an opinion poll at the park. If I lose, I will donate $1000 to your favorite charity and if I win, you can donate $1000 to my favorite charity.

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